Thursday, April 14, 2011

Inspired By Man Ray



Man Ray was an artist working in the early 20th century. He was American but worked mostly in Paris and his work is related with the Surrealist and Dada movements. Man Ray worked with many mediums such as painting, sculpture and photography.

In his photography, May Ray dealt with a variety of different subjects and presented them in an unusual and revolutionary way for his time. He pioneered the use of photo-grams in high art and even renamed them after him self: rayographs. Man Ray's black and white photographs are full of light and mystery. Man Ray shot some of his portraits in an editorial but still surreal and abstract style.

One of Man Ray's photos that I am most inspired by is from the July 1930 cover of "VU" entitled "The Tragic Necklace". It is a black and white photo of a barley dressed, reclined woman with a large snake around her neck.

This photo interests me because it is of a similar subject matter that I have photographed before but with a very different theme. This is more of an elegant beauty shot rather than one dealing with death and fear. I chose this photo to emulate because I would like to revisit the subject in a similar way.

A second photo of Man Ray's that inspired me is "Tears" from 1930. This is a very up close shot of a woman's face with very artificial tears rolling down her cheek.

I think it would be interesting to work with certain aspects of this photo like replacing the tears with diamonds or photographing some sort of transformation within a close up portrait, like hair turning into water.

The overall ideas that Man Ray most deals with in his photographs that I would like to work with are the surreal ways he photographs elements of the human form and how he captures and uses light to give his works an unearthly feel.         

Thursday, February 3, 2011

People-less Portraits

From People-less Portrait Series
April 2010

I want to explore and expand this idea of composing portraits of implied people by their scenarios and attire in the second project of warm and cool portraits. 

Tuesday, February 1, 2011

Ophelia

Ophelia
Gregory Credson
2001

I love the eerie over-saturation of the colors in this photograph. This is the one of the examples I had in mind when working on my non local color photo because the color saturation is right on the border of looking completely unrealistic and being too subtle.    

Friday, January 28, 2011

Tuesday, January 25, 2011

Non Local and Abstract Color


Liz Hickok
City Hall
2004
From San Francisco in Jell-O® 
Santa Fe Gallery


Liz Hickok's 2004 series, San Francisco in Jello, is a collection of photographs taken of a cityscape constructed in jello of San Francisco. The very odd and unrealistic angles of view in contrast with the realistic placement and proportions of the buildings creates drama and tension within the photos. One photo in particular, City Hall, shows a very lifelike replica of the building in red jello. The lighting also aids the low angle of view in creating drama within the composition. The red color choice maybe referring to Communism and the use of jello implies child-likeness or flaws withing the government. Non local or abstract color is distorting the natural or original color of an object, such as changing this white government building to red.